- 1937 Bugatti Type 57SC Atalante, Chassis no. 57551, Estimate $4,500,000 - $6,000,000
- 1938 Bugatti Type 57 Cabriolet by D'Ieteren, Chassis no. 57589, Engine no. 464, Estimate
$900,000 - $1,500,000
This car was auctioned at RM Sotheby's Amelia Island auction in 2020, and then fetched $1,655,000. I sincerely doubt if it will attain a similar price now, 6 years later.
- 1939 Bugatti Type 57C Cabriolet in the style of Corsica, Chassis no. 57838, Engine no. 105C, Estimate
$650,000 - $750,000
All photographs by Darrin Schnabel
1937 Bugatti Type 57SC Atalante, Chassis no. 57551
THE INCOMPARABLE TYPE 57S: BUGATTI’S MASTERPIECE
The Paris Auto Salon of October 1936 saw the introduction of a revised second-series version of Bugatti’s elegant Type 57, but also, more significantly, uprated sporting variants, the 57C and the 57S. While the former featured a supercharged engine, the latter was a true purpose-built, high-performance, competition-oriented automobile, with so many differences from the stock 57 that it was, in effect, an entirely distinct model.
Each Type 57S was constructed upon a chassis that was wholly re-engineered to be both shorter and lower—hence S, for surbaissé or “lowered.” The front axle was articulated in halves, and the rear axle passed through the frame rather than under it, creating a lower overall stance. Carried on this sophisticated drivetrain was a specially tuned version of the 3.3-liter eight-cylinder engine, with a higher 8.5:1 compression ratio, a dry sump accommodating the car’s lowered center of gravity, and magneto-driven ignition, as well as a low radiator with a handsome vee’d grille shell in the classic Bugatti motif.
In an era when every automaker sought to make their cars look fast and sleek beyond their performance capabilities, the Type 57S delivered on its appearance in every regard. In the model’s first 12 months of existence in 1936, examples won the French Grand Prix, La Marne Grand Prix, and Comminges Grand Prix, followed the subsequent year by a quartet of victories at Pau, Bone, La Marne, and Le Mans. Type 57S chassis set records in no fewer than 14 different events, including a speed average of 85.07 mph at Le Mans. It was, by no exaggeration, a supercar of its era.
With the sales of the more “stock” 57 and 57C chassis flourishing in the late 1930s, Bugatti eventually came to view the Type 57S as surplus to their needs, and quietly discontinued the model in May of 1938. Only 42 examples were built to this ultimate specification, with 17 bodied as Jean Bugatti’s Atalante, with its distinctive rounded roofline and “notchback” tail. On a stock Type 57 the Atalante was aggressively beautiful; on the 57S, slinkily lowered to the ground with its fenders thrust nearly level with its beating heart, it was almost wicked.
For beauty, for power, for sheer glory—nothing could quite compare.
CHASSIS NUMBER 57551: THE MILLER’S ATALANTE
Type 57S chassis number 57551 was built as an Atalante with the distinctive lowered headlights, akin to the Paris show car, and delivered to Jean Lévy, scion of a prominent Strasbourg family that owned one of the area’s largest mills. Lévy took delivery of his 57S directly from the factory, both because he lived very near the Bugatti compound in Molsheim, and because he was already an established customer; his Type 57 Stelvio was exchanged for the new car in July of 1937.
The Atalante was still with its original owner and, it can be presumed, scarcely used, when World War II arrived. Lévy fled to the United States, where he had wisely acquired a few mills to continue his business, with the Bugatti remaining behind at his farm in the Dordogne. It was re-registered to his friend Maurice Weber, manager of the livestock feed operation at the Lévy mill, in 1941. Following the war’s conclusion, the car was brought to Paris and sold there to Pierre Pruvost of Bezons; in the process the original engine was exchanged for 15 S, from car number 57492, restamped 30 S as original for this chassis. In this form, according to Bernhard Simon and Julius Kruta’s book, The Bugatti Type 57S, the car was sold in 1948 to the noted artist and Bugattiste, André Derain. In 1952 it passed to Monique Weyemer of Nice, and finally through that city’s Bugatti dealer Ernest Friderich to Jean Louis Fatio of Switzerland in 1957.
In 1959 the car was sold by the auspices of musician and amateur Bugatti broker Robert “Bob” Baer to Colin Doane, a US Air Force Officer. Doane brought the Atalante across the Atlantic and drove it 3,000 miles over two years, including a 500-mile trip from Boston to Watkins Glen, before selling it in 1961 to Harrah’s Automobile Collection of Nevada. Harrah’s was at the time fully flowering into what it eventually became, the largest and most complete collection of vintage cars in the United States, renowned for the standards set by its in-house restoration facility. Recognizing that longtime friend O.A. “Bunny” Phillips’s Rosemead, California, shop was more of a specialist at these cars than his own shop, however, Bill Harrah commissioned Phillips to begin the Atalante’s mechanical restoration. Work had not progressed far when the car was moved out of the way of other Harrah projects that took priority.
In the early 1970s, work resumed anew, and the car was completed with a supercharger added to its engine, bringing it to the ultimate 57SC specification, and in a rather bold combination of hues dubbed Patrol Cream and Lemon Oxide. The result was a showstopper, in a very literal sense. In 1976 it was awarded Best of Show at the Pebble Beach Concours d’Elegance, Bill Harrah’s fourth and final victory at the August event, only a year before his passing. Early in the next decade it was prominently featured in Dean Batchelor’s book, Harrah’s Automobile Collection, which pictures it both in the process of restoration and as completed, and further details Harrah’s history with the Bugatti.
The Atalante remained in Harrah’s Automobile Collection until 1987, when it was sold to biotechnology pioneer Dr. Herbert Boyer of California, then building a small but impressive collection of his own. It remained with Dr. Boyer until 2000, when it was acquired by Jim Patterson for his own burgeoning stable.
Mr. Patterson exhibited the car in his collection for over a decade, occasionally displaying it at concours, still in its striking Harrah’s restoration. However, it eventually became clear that the restoration, while always a crowd-pleaser and very high-quality for its time, was not quite to the evolved modern standards that such an extraordinary automobile demanded. Modifications had been made to the tail in early ownership, and these had been preserved by Harrah’s; similarly, the headlights had been modified several times from their original configuration. Inspection of photographs of the car, published in Kruta’s book and in other sources, showed how the car had originally appeared and should be configured, including a photo from Lévy’s ownership with the proper headlight design.
With these in hand, RM Auto Restoration of Blenheim, Ontario, took on a fresh restoration of the Atalante to a modern standard of correctness and authenticity. Having restored other examples of this significant chassis, RM was well-equipped to handle the job in a sensitive manner. As much originality as possible was preserved, including, significantly, much of the original body wood, including the entire framework of the tail section. The body was carefully returned to the original configuration and design throughout, matching period photographs, and finished in a very subtle livery of black and deep green with pigskin interior. At completion, the car was debuted at the Pebble Beach Concours d’Elegance in 2014, and, 38 years after its original victory, received the J.B. Nethercutt Trophy as Most Elegant Closed Car.
The Type 57SC Atalante is presented today still in concours condition, carefully maintained within The Jim Patterson Collection to the standards it deserves. It is accompanied by a thoroughly impressive history file, including copies of its features in several prominent Bugatti books and registers over the years, photographs of the RM restoration, and a copy of its Harrah’s Automobile Collection acquisition and restoration file—enormously detailed and well worth reviewing.
It can be inarguably said that the Type 57S was, from a development standpoint, the ultimate Bugatti—and chassis number 57551, through its carefully documented history, meticulous conservation, and careful restoration, has been, for every moment of its life, appreciated for exactly that. It is an exquisite creation.

1938 Bugatti Type 57 Cabriolet by D'Ieteren, Chassis no. 57589, Engine no. 464
CHASSIS NUMBER 57589: THE SINCEREST FORM OF FLATTERY
In 1938, Jean Bugatti and Molsheim bodywork leader Joseph Walter penned a new open Type 57, dubbed the Aravis in a nod to an Alpine mountain range, with a two-passenger interior, sharply raked windscreen, and a dramatically sloped tail with a small central dorsal fin. Construction was delegated to Gangloff’s coachworks in Colmar, and it is believed that no more than 12 examples were built, with just three remaining in existence. Considering, however, that Type 57s were also sold as rolling chassis to be clothed by the customer’s chosen coachbuilder, it is little surprise that several additional cars were built to specifications that aped the factory-contracted Aravis - imitation, of course, was and is the sincerest form of flattery.
Chassis number 57589, offered here, was completed at Molsheim in September 1937 and delivered in March 1938 to the revered Belgian coachbuilder D’Ieteren on behalf of a customer named Baggage, with a special notice for “urgent delivery.” Only four Type 57s were ordered with D’Ieteren coachwork in 1938, but this would be the only example finished in this Aravis-inspired style, developed with significant input from the impatient Monsieur Baggage himself. The customer was particularly tall, resulting in the somewhat stretched proportions of the cabin, sheltered by roll-up windows and a streamlined, folding canvas top that was particularly low and sleek in either the raised or lowered position. It was and remains a stunning automobile, with a truly elegant and distinguished character.

Monsieur Baggage used his extraordinary Bugatti for nearly two years, before the German invasion of 1940 compelled him to hide it. The exact history of the car over the next decade is currently lost in the fog of war. Sometime after the conclusion of hostilities, the Type 57 resurfaced, and was offered by the French government as a “Vente des Domaines” and sold in late May 1951 to an industrial company in Paris. It passed through the hands of two different Parisian magnates, then in early 1952 to marque specialist Gaston Docime, who sold it that May to André Derain, the famed Fauvist painter and early Bugatti collector. Derain owned as many as 14 important Bugattis over his lifetime. Chassis number 57589 was the last, truly the crowning acquisition of a passionate Bugattiste.
Docime bought back the Bugatti from his client in December 1956, and sold it the following year to the well-known dealer Jean de Dobbeleer. De Dobbeleer sold the car through his frequent collaborator Gene Cesari to the highly regarded American enthusiast Julian Sano. Robert Wells of Akron, Ohio, purchased the Bugatti from Sano in 1963 and would keep it for 35 years. During that time, it was occasionally shown at American Bugatti Club events.
In 2004 the Type 57 was purchased by Alfred Lechter of Jean, Nevada, in whose ownership it received expert attention by marque specialist Jim Stranberg, and was shown at the 2009 Pebble Beach Concours d’Elegance. It was sold the following year to Greek collector Theodore Angelopoulos, who had it regularly maintained by Swiss specialists over the next five years.

In September 2015 the Bugatti was acquired by a respected Florida-based collector. The car was examined for him by noted specialist Scott Sargent, who noted that the Type 57 retained numerous original components and details, such as the firewall and remnants of original paint on the undercarriage that lent the car a definitive and irreplaceable authenticity. Consequently, to retain the utmost originality, it was decided to limit any restoration to cosmetic considerations and service of the original mechanical components as needed. The interior and top were retrimmed, while the unique coachwork was refinished in a very attractive and distinctive two-tone scheme of black with maroon details.

The Bugatti has been fastidiously maintained during their conservatorship while being presented and driven at select events, including the ABC Maine Fall Rally in September 2016, the Concorso d’Eleganza Villa d’Este in May 2018, and the Audrain Newport Concours in October 2019, where it won the Bugatti Touring Class. In early 2020 it was sold to Ray and Bonnie Kinney, and has remained one of the great centerpieces of their collection ever since, with excellent care including an engine rebuild by the noted Leydon Restorations that will be completed this spring.

This exceptional car retains most of its original factory components, including its twin-cam straight-eight engine, the original chassis frame, and the exquisitely sculpted D’Ieteren coachwork, a genuinely one-off design inspired by one of the factory’s finest creations. It is documented with restoration invoices from Jim Stranberg, Pichler, and Scott Sargent over its prior ownerships, as well as various historical documents. Most striking of all are a D’Ieteren photo album, including period images, and sets of both tools and unrestored original luggage.
Continually maintained by devoted owners, this Bugatti Type 57 offers an unbeatable combination of tempting attributes—extraordinarily beautiful and unique original design, well-known and fascinating history with great collectors, and the outstanding purity that comes from having been always kept by enthusiasts who were wise enough to preserve originality where they found it and make improvements elsewhere. It is a fabulous Bugatti in every regard.

1939 Bugatti Type 57C Cabriolet in the style of Corsica, Chassis no. 57838, Engine no. 105C
Perhaps no Bugatti is as widely celebrated as the Type 57, the immensely popular touring model spearheaded by Ettore Bugatti’s son, Jean. Many later Type 57 examples were fitted with a supercharger to result in the more powerful 57C iteration, which accounted for approximately 103 examples. Mechanically advanced, and often clothed in artfully styled individual coachwork, the Type 57C was undeniably one of the interwar period’s most dynamic luxury-performance automobiles, as this fine example ably attests.
According to Bugatti factory sales records, chassis number 57838 is the fourth-from-last Type 57 built, having been invoiced on 28 July 1939, less than five weeks before the outbreak of World War II. It is the final car in the log to show any delivery details, being sold to the British importer Col. Sorel’s agency on Brixton Road as a bare chassis without coachwork.

As corroborated by the respected American Bugatti Register, the chassis was dispatched to the renowned coachbuilder Vanden Plas for the mounting of a two-door four-seat roadster body that was finished in ivory paint with contrasting black fenders. The Bugatti was then registered with tags reading “DWW 222” in late September 1939.
While the Type 57C’s history during the war currently remains unknown, it likely saw relatively little use, given the petrol shortages common throughout wartime Britain. After the war, the Bugatti was owned by the famed shipping magnate and car collector Maj. Edward G. Thomson, and he may very well have been the car’s original purchaser. Later to be more widely recognized for his sponsorship of the Le Mans-winning Ecurie Ecosse Jaguar D-Type teams, Maj. Thomson ran 57838 at a sand-racing event in St. Andrews, Scotland, by the early 1950s.

In 1970, after approximately three decades of owning the Type 57C, Maj. Thomson sold his entire collection. The Bugatti was next acquired by Rodney Clarke of Guilford, and he soon sold the car to a former business partner named Leonard Potter. As the original coachwork had substantially deteriorated by this time, Mr. Potter commissioned Keith Bowley of Ashton Keynes Vintage Restorations to build a new body in the style of the well-known Tourist Trophy-winning Corsica-bodied roadster, chassis number 57326.
After a period of ownership by Peter Harper of Stretton, the Bugatti was sold in 1980 to the Massachusetts-based enthusiast Byron White and exported to the US. Ten years later, the 57C was acquired by the respected collector Oscar Davis, and he retained possession through his passing in 2021, concluding a remarkable 31-year period of single-owner care. During this time, 57838 was treated to a bevy of restoration work, including a multi-year mechanical refurbishment by Leydon Restorations completed circa 2004.

In the latter half of the 2000s, Mr. Davis retained the esteemed DL George Historic Motorcars to construct the current cabriolet body, which features a sublime pastiche of design cues more commonly associated with Corsica (chassis number 57593) and Bertelli (chassis number 57316). The coachwork is highlighted by a steeply raked split windscreen, teardrop-shaped pontoon fenders, cut-down doors, and a tapered rear end; and it was then cosmetically completed with an arresting finish of deep red paint over a tan leather interior, which is complemented by an elegant wood dash panel. Although the Bugatti remained largely domiciled during his ownership, Mr. Davis occasionally enjoyed driving the car, including participation in the 2010 International Bugatti Rally in California.
In August 2022, the Type 57C was offered by Mr. Davis’ estate and acquired by the consignor. Over the past four years, the cabriolet has been dutifully maintained and minimally driven, while being presented at a small handful of premium events, including the 2023 Audrain Newport Concours d’Elegance (where it won a class award) and the 2024 ModaMiami.
It is important to note that chassis number 57838 features an engine stamping consistent with factory data, demonstrating that the car retains its matching-numbers supercharged engine. As one of the last cars built, this Type 57C is also equipped with the developmental advances made through the model’s lifespan, including the stronger second-series frame, the supercharged engine, and the hydraulic brakes and telescoping shock absorbers common to third-series cars.
Ideal for presentation at regional concours d’elegance or enjoyment on vintage tours, this beautifully restored and presented Bugatti is a singularly unique coachbuilt example that would highlight any collection. It abounds in some of the interwar period’s most sensational styling cues, offering a brilliant testament to Jean Bugatti’s legendary model.
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